![]() But it is a nice feature of the amp even if it isn’t the most amazing reverb around. While playing death metal, you aren’t likely to use a whole lot of reverb anyway. It is a digital, plate-style reverb and isn’t the best I have ever heard. Pulling back to 5-watt, I found the sound to tighten and clean up a bit and I no longer noticed the saturation at high volumes. The amp does become quite saturated at higher volumes and 20-watts. At 1-watt the amp is also still pretty loud, but to me, this is more of a practice setting rather than a gig setting.Īnother use for the attenuation, other than power output, would be tone control. At 5-watts, the amp managed to roar and scream without losing any sound quality. The 6505 also has an attenuation switch to take it down to 5 and even 1-watt. Switching to the lead channel, the sound becomes thicker and really cuts through the mix. It is certainly among the louder 20-watt amps I have ever played. The sound this amp produces is very fat, aggressive, and loud. The Mini Head is the same feature and sound-rich amp as the bigger 6505 version, just in a much more portable package. Even though the Peavey 6505 wasn’t originally intended as a metal amp, it does metal so well that it was quickly adopted by many metal bands.
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